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Installation view of Chris Doyle's solo exhibition Idyllwild, 2012
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Installation view of Chris Doyle's solo exhibition Idyllwild, 2012
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Installation view of Chris Doyle's solo exhibition Idyllwild, 2012
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Installation view of Chris Doyle's solo exhibition Idyllwild, 2012
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Installation view of Chris Doyle's solo exhibition Idyllwild, 2012
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Installation view of Chris Doyle's solo exhibition Idyllwild, 2012
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SOLD
The Hunt, 2012
Two-channel digital animation on custom built computer, 1/1
12 x 14 x 4 ½ inches
3:25 minutes, continuous loop
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SOLD
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Video clip of The Hunt , 2012
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installation view of Idyllwild, 2012
Two-channel projected generative animation, Mac Mini, speakers
Music by Garth Stevenson
Music produced by Joe Arcidiacono
Thanks to Shahar Zaks and Nicholas RubinEdition of 3 + 2 AP; edition 1/3
Dimensions variable
Continuous loop
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History of the 20th Century, 2010
Duratrans on LED light box
Edition of 5 + 2 AP
11 ½ x 60 ¼ inches
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SOLD
Mycelium Magneticus, 2012
Watercolor on paper
46 x 68 inches unframed
48 x 70 inches framed
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Apocalypse Management Panorama, 2009
Duratrans on LED light box
Edition of 5 + 2 AP
12 x 60 inches
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Video still of Waste_Generation, 2011
Digital animation on Mac Mini
Edition of 5
Dimensions variable
6:28 minutes running time
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Waste_Generation, 2011
Single-channel digital animation
Edition of 5
6:28-minute continuous loop
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Apocalypse Management (telling about being one being living), 2009
Single-channel digital animation
Edition of 5
5:33-minute continuous loop
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Still from Apocalypse Management (telling about being one being living), 2009
Single-channel video: projected digital animation on Mac Mini
Edition of 5
5:33-minute continuous loop
MORE about this artworkCommissioned by MassMoCA for These Days: Elegies for Modern Times, curated by Denise Markonish.
"Buildings collapse. Bridges buckle. Steel, concrete, and brick twist and slide into piles of rubble. It is impossible to prepare for disaster on an epic scale, only for recovery. Apocalypse Management (telling about being one being living) is the first section of a planned series of five animations based on Hudson River painter Thomas Cole’s Course of Empire. The series grows out of my longtime interest in that cycle of paintings, the panoramic landscapes of Hans Memmling as well as Last Judgment altarpieces of the renaissance.
The projected landscape depicts the aftermath, a constant looped state of digging out. The particular cause of the devastation is unclear, but whether natural disaster, act of war, or environmental nightmare, the scenario of wreckage portends a state of emergency for which we are reminded to be ready. The figures in the animation are each lost in the moment when disaster ends and the processes of grieving and rebuilding begin." -- Chris Doyle
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