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Alison Saar
Copacetic, 2019
MORE about this artworkSuite of eight multi-block linocuts on handmade Japanese Hamada Kozo paper, inked by hand and editioned on Mullowney Printing's Dufa Manual Offset Lithography Press. Portfolio design and construction by Erin McAdams. The eight linocuts come in a linen portfolio, signed and editioned on a colophon page. An interior page bears a quote by Langston Hughes. Printed by Erin McAdams, Harry Schneider, Max Valentine, and assisted by Wendy Liu in an edition of 20, plus 5 artist proofs. Signed and numbered 6/20 on the colophon page in pencil. Published by Mullowney Printing, San Francisco.
Portfolio size: 20 1/2 x 18 3/4 inches
Each print: 19 1/2 x 18 inches unframed
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Alison Saar
Torch Song from "Copacetic", 2019
MORE about this artworkMulti-block linocut on handmade Japanese Hamada Kozo paper, inked by hand and editioned on Mullowney Printing's Dufa Manual Offset Lithography Press. Printed by Erin McAdams, Harry Schneider, Max Valentine, and assisted by Wendy Liu in an edition of 20, plus 5 artist proofs. Signed and numbered on the recto in pencil. Published by Mullowney Printing, San Francisco.
Sheet: 19 1/2 x 18 inches
21 x 19 1/2 inches framed
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Alison Saar
Hepcat from "Copacetic", 2019
MORE about this artworkMulti-block linocut on handmade Japanese Hamada Kozo paper, inked by hand and editioned on Mullowney Printing's Dufa Manual Offset Lithography Press. Printed by Erin McAdams, Harry Schneider, Max Valentine, and assisted by Wendy Liu in an edition of 20, plus 5 artist proofs. Signed and numbered on the recto in pencil. Published by Mullowney Printing, San Francisco.
Sheet: 19 1/2 x 18 inches
21 x 19 1/2 inches framed
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Alison Saar
Jitterbug from "Copacetic", 2019
MORE about this artworkMulti-block linocut on handmade Japanese Hamada Kozo paper, inked by hand and editioned on Mullowney Printing's Dufa Manual Offset Lithography Press. Printed by Erin McAdams, Harry Schneider, Max Valentine, and assisted by Wendy Liu in an edition of 20, plus 5 artist proofs. Signed and numbered on the recto in pencil. Published by Mullowney Printing, San Francisco.
Sheet: 19 1/2 x 18 inches
21 x 19 1/2 inches framed
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Alison Saar
Shebop form "Copacetic", 2019
MORE about this artworkMulti-block linocut on handmade Japanese Hamada Kozo paper, inked by hand and editioned on Mullowney Printing's Dufa Manual Offset Lithography Press. Printed by Erin McAdams, Harry Schneider, Max Valentine, and assisted by Wendy Liu in an edition of 20, plus 5 artist proofs. Signed and numbered on the recto in pencil. Published by Mullowney Printing, San Francisco.
Sheet: 19 1/2 x 18 inches
21 x 19 1/2 inches framed
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Syncopatin' from "Copacetic" , 2019
MORE about this artworkMulti-block linocut on handmade Japanese Hamada Kozo paper, inked by hand and editioned on Mullowney Printing's Dufa Manual Offset Lithography Press. Printed by Erin McAdams, Harry Schneider, Max Valentine, and assisted by Wendy Liu in an edition of 20, plus 5 artist proofs. Signed and numbered on the recto in pencil. Published by Mullowney Printing, San Francisco.
Sheet: 19 1/2 x 18 inches
21 x 19 1/2 inches framed
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Alison Saar
Paradiddle Diddle from “Copacetic” , 2019
MORE about this artworkMulti-block linocut on handmade Japanese Hamada Kozo paper, inked by hand and editioned on Mullowney Printing's Dufa Manual Offset Lithography Press. Printed by Erin McAdams, Harry Schneider, Max Valentine, and assisted by Wendy Liu in an edition of 20, plus 5 artist proofs. Signed and numbered on the recto in pencil. Published by Mullowney Printing, San Francisco.
Sheet: 19 1/2 x 18 inches
21 x 19 1/2 inches framed
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Alison Saar
Table for Two from "Copacetic", 2019
MORE about this artworkMulti-block linocut on handmade Japanese Hamada Kozo paper, inked by hand and editioned on Mullowney Printing's Dufa Manual Offset Lithography Press. Printed by Erin McAdams, Harry Schneider, Max Valentine, and assisted by Wendy Liu in an edition of 20, plus 5 artist proofs. Signed and numbered on the recto in pencil. Published by Mullowney Printing, San Francisco.
Sheet: 19 1/2 x 18 inches
21 x 19 1/2 inches framed
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Alison Saar
Hooch n’ Haint from “Copacetic” , 2019
MORE about this artworkMulti-block linocut on handmade Japanese Hamada Kozo paper, inked by hand and editioned on Mullowney Printing's Dufa Manual Offset Lithography Press. Printed by Erin McAdams, Harry Schneider, Max Valentine, and assisted by Wendy Liu in an edition of 20, plus 5 artist proofs. Signed and numbered on the recto in pencil. Published by Mullowney Printing, San Francisco.
Sheet: 19 1/2 x 18 inches
21 x 19 1/2 inches framed
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Alison Saar
High Cotton II, 2018
MORE about this artworkTwo block linocut and woodcut monotype, on Korean Chiri mulberry paper. Printed as a variable edition of 11. Signed and numbered 7/11 on the recto in pencil.
Sheet: 25 x 16 1/2 inches
Framed: 26 1/2 x 18 inches
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Alison Saar
Eclipse, 2017
Published by Mullowney Printing, San Francisco.
Direct grauvre, and aquatint etching with gampi chine colle on Somerset 300 gram paper.
Edition of 15 plus 6 artist proofs
Sheet: 18 x 18 inches
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Alison Saar
Muddy Water, 2017
Published by Mullowney Printing, San Francisco
Two block woodcut with monotype, on Sekishu mulberry paper.
Edition of 12, signed and numbered on the recto in pencil
Sheet: 16 x 12 inches
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Alison Saar
Girl with a Pearly Earring, 2018
Signed and numbered on the recto in pencil. Published by Mullowney Printing, San Francisco.
Soft ground, aquatint and spit bite etching printed chine colle gampi on Somerset.
Edition of 15 plus 6 artist proofs
Sheet: 15 x 12 inches
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Masami Teraoka
Sarah and Octopus/Seventh Heaven, 2001
29 Color woodblock print on Hosho paper
Edition of 200
10 3/8 x 15 5/8 inches
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Masami Teraoka
AIDS Series/Geisha in Bath, 2008
Wood block print; 48 colors 34 blocks
Edition of 75
19 ½ x 13 ½ inches
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Masami Teraoka
McDonald's Hamburgers Invading Japan/Tattooed Woman and Geisha III, 2018
A woodcut in 43 colors from 37 blocks of laminated cherry wood carved by Motoharu Asaka. Printed by Satoshi Hishimura (Tokyo) and Keizo Sato assisted by Makoto Nakayama (Kyoto) on Echizen - Kizuki Hosho paper made by Ichibei Iwano, who bears the title National Living Treasure.
Edition of 85 + 20 proofs
Sheet and image: 12-1/4 x 18-1/2 inches
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Masami Teraoka
31 Flavors Invading Japan/Today's Special, 1980-82
Thirty-five-color woodcut printed from hand-carved blocks of cherry wood with natural dyes and with additional hand-coloring on handmade Hosho paper
Edition of 500
11 1/16 x 16 9/16 inches
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Don Ed Hardy
Moving the Tao Homeward Bound, 2017
Offset monotype on Somerset satin white, 300 paper. Printed as a variable edition of 2. Signed and numbered 2/2 on the recto in pencil. Published by Mullowney Printing, San Francisco.
Sheet: 30 x 24 inches
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Masami Teraoka
AIDS Series/Ghost Cat and Condom, 1989/2002/2019
View extended description for the full work description.
MORE about this artworkSingle plate black ink impression of the key plate from the AIDS Series/Geisha and Ghost Cat. Direct gravure copper plate etching printed on gampi and backed with Sekishu Kozo. (Key plate started in 1989 by Brian Shure and Evelyn Lincoln at Smalltree Press and never completed at that time. Later published by Tokugenji Press, Ouda, Nara, Japan as a numbered edition of 35 plus 18 proofs and 1 O.K.T.P. Only 10 impressions from the numbered, color edition are printed; of the remaining 25 impressions in black ink, only 4 were approved by the artist and by Paul Mullowney for publication in 2019. The 4 black ink impressions were retitled and editioned by the artist in a numbered edition of 4. The remaining edition, as of this printing, have not been fulfilled.). Signed and numbered 1/4 (black ink edition) on the verso in pencil. Published by Mullowney Printing, San Francisco.
Sheet and image: 27 1/2 x 20 inches.
Original notations for AIDS Series/Geisha and Ghost Cat, 1989/2002:
Aquatint and sugar-lift etching, with spit-bite and direct gravure, printed from six copper steel faced plates in seventeen oil-based colors on handmade Shimane Sekishu 100% Kozo paper. (Only 10 impressions from the numbered, colored edition are printed; of the remaining 25 impressions in the edition will not be completed in color).
This impression is form the 2002 plates but are outside of the color edition.
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Masami Teraoka
Geisha and Madonna, 2020
MORE about this artworkThree plate, three color direct gravure etching on handmade Hamada Kozo printed chine collé backed with Somerset satin white 300 gram paper, trimmed bleed. Printed by Erin McAdams, Wendy Liu, and Harry Schneider in an edition of 35 plus 10 proofs. Signed and numbered OKTP on the verso in pencil. Co-published by Catharine Clark Gallery and Mullowney Printing, San Francisco. Publication date January 2020.
Sheet and image: 11 3/4 x 17 inches
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Sandow Birk
Excavating the Foundations of the Unfinished Temple of Human Rights from the series Imaginary Monuments, 2015
MORE about this artworkDirect gravure etching on two copper plates printed on two sheets of gampi paper, joined and backed with Sekishu Kozo paper. Printed as an edition of 25 plus 8 proofs. Signed and numbered 11/25 on the recto in pencil. Co-published by Mullowney Printing and Catharine Clark Gallery, San Francisco.
Image: 56 1/2 x 40 1/2 inches
Sheet: 62 x 44 inches
65 1/2 x 48 inches framed
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Greg Niemeyer and Roger Antonsen
Network Paradox Scroll, 2019
Published by Mullowney Printing, San Francisco
Photogravure and direct gravure etching made from 26 copper plates on gampi paper, joined and backed four times with sekishu kozo paperEdition of 6 + 4AP + HC
Image: 16 x 212 3/4 inches
Sheet: 19 1/2 x 216 1/4 inches -
Brad Brown and Lytle Shaw
Mash Notes, 2019
MORE about this artworkPortfolio of twelve variable monotype images by Brad Brown with text by Lytle Shaw. Printed on Somerset satin white 300 gram paper by Erin McAdams, Wendy Liu, Harry Schneider, and Max Valentine in an edition of 10 plus 6 artist proofs. Portfolio by John DeMerritt Bookbinding, Emeryville, CA. Signed and numbered on the colophon recto. Published by Mullowney Printing, San Francisco.
Sheet: 12 x 22 inches
Portfolio: 13 1/8 x 22 1/2 x 1 inches