CatharineClarkGallery

ARTISTS

  • Chester Arnold
  • Jen Bervin
  • Sandow Birk
  • Lenka Clayton
  • Arleene Correa Valencia
  • Timothy Cummings
  • Chris Doyle
  • Al Farrow
  • Ana Teresa Fernández
  • Ken Goldberg
  • Scott Greene
  • Julie Heffernan
  • Laurel Roth Hope
  • Andy Diaz Hope
  • Nina Katchadourian
  • LigoranoReese
  • Deborah Oropallo
  • Alison Saar
  • Stacey Steers
  • Stephanie Syjuco
  • Josephine Taylor
  • Masami Teraoka
  • Amy Trachtenberg
  • Katherine Vetne
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  • Wanxin Zhang
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  • INQUIRE

    Installation Image, Garble, 2015

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    Installation Image, Garble, 2015

    image description
  • INQUIRE

    Installation Image, Garble, 2015

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    Installation Image, Garble, 2015

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  • SOLD

    Sandow Birk

    Revisiting the Ruins of the Temple of Intolerance from the series Imaginary Monuments, 2014

    Ink on paper

    64 1/4 x 46 1/16 inches framed

    image description
  • SOLD

    Sandow Birk

    Proposal for a Monument to the Economic Bill of Rights from the series Imaginary Monuments, 2014

    Ink on paper

    64 1/4 x 46 1/16 inches framed

    image description
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    Anthony Discenza

    The Dawn Equations, 2014

    Inkjet on found paper

    7 x 4 1/4 inches unframed

    MORE about this artwork
    The Pulps series presents a collection of narrative fragments that appear to be lifted directly from the pages of various pulp novels. These “novels” are in fact imaginary constructions that mimic a variety of literary genres: Horror, mystery, science fiction, etc. In each fragment, an image or visual scenario is described or implicated. These brief excerpts from literary works that do not actually exist encourage viewers to visualize both this scenario, along with the larger narrative it possibly occupies.
    image description
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    Anthony Discenza

    The Goddess Plague, 2012

    Inkjet on found paper

    7 x 4 1/4 inches unframed

    MORE about this artwork
    The Pulps series presents a collection of narrative fragments that appear to be lifted directly from the pages of various pulp novels. These “novels” are in fact imaginary constructions that mimic a variety of literary genres: Horror, mystery, science fiction, etc. In each fragment, an image or visual scenario is described or implicated. These brief excerpts from literary works that do not actually exist encourage viewers to visualize both this scenario, along with the larger narrative it possibly occupies.
    image description
  • SOLD

    Anthony Discenza

    A Master at Work, 2012

    Inkjet on found paper

    7 x 4 1/4 inches unframed

    MORE about this artwork
    The Pulps series presents a collection of narrative fragments that appear to be lifted directly from the pages of various pulp novels. These “novels” are in fact imaginary constructions that mimic a variety of literary genres: Horror, mystery, science fiction, etc. In each fragment, an image or visual scenario is described or implicated. These brief excerpts from literary works that do not actually exist encourage viewers to visualize both this scenario, along with the larger narrative it possibly occupies.
    image description
  • INQUIRE

    Anthony Discenza

    The Tomb, 2012

    Inkjet on found paper

    7 x 4 1/4 inches unframed

    MORE about this artwork
    The Pulps series presents a collection of narrative fragments that appear to be lifted directly from the pages of various pulp novels. These “novels” are in fact imaginary constructions that mimic a variety of literary genres: Horror, mystery, science fiction, etc. In each fragment, an image or visual scenario is described or implicated. These brief excerpts from literary works that do not actually exist encourage viewers to visualize both this scenario, along with the larger narrative it possibly occupies.
    image description
  • SOLD

    Anthony Discenza

    The Visage, 2012

    Inkjet on found paper

    7 x 4 1/4 inches unframed

    MORE about this artwork
    The Pulps series presents a collection of narrative fragments that appear to be lifted directly from the pages of various pulp novels. These “novels” are in fact imaginary constructions that mimic a variety of literary genres: Horror, mystery, science fiction, etc. In each fragment, an image or visual scenario is described or implicated. These brief excerpts from literary works that do not actually exist encourage viewers to visualize both this scenario, along with the larger narrative it possibly occupies.
    image description
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    Charles Gute

    @marizzlebk from the series, "Random Tweets Reformatted as Telegrams", 2014

    Letterpress and mixed media on vintage paper, 8 ¼ x 10 ¼ inches framed

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  • SOLD

    Charles Gute

    @blackxjeezus from the series, "Random Tweets Reformatted as Telegrams", 2014

    Letterpress and mixed media on vintage paper, 7 1/8 x 10 1/8 inches framed

    image description
  • SOLD

    Charles Gute

    @juicymusy505 from the series, "Random Tweets Reformatted as Telegrams", 2014

    Letterpress and mixed media on vintage paper, 7 ½ x 9 5/8 inches framed

    image description
  • SOLD

    Charles Gute

    @giogomez16 from the series, "Random Tweets Reformatted as Telegrams", 2014

    Letterpress and mixed media on vintage paper, 7 1/8 x 10 1/8 inches framed

    image description
  • SOLD

    Charles Gute

    @buckyboy29 from the series "Random Tweets Reformatted as Telegrams", 2014

    Letterpress and mixed media on vintage paper, 7 1/2 x 9 5/8 inches framed

    image description
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    Charles Gute

    @tweetuani from the series "Random Tweets Reformatted as Telegrams", 2014

    Letterpress and mixed media on vintage paper, 7 ½ x 9 5/8 inches framed

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  • SOLD

    Charles Gute

    @dorkkart99 from the series "Random Tweets Reformatted as Telegrams", 2014

    Letterpress and mixed media on vintage paper, 7 ½ x 9 5/8 inches framed

    image description
  • SOLD

    Charles Gute

    @mmmooorrggaannn from the series "Random Tweets Reformatted as Telegrams", 2014

    Letterpress and mixed media on vintage paper, 7 ½ x 9 5/8 inches framed

    image description
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    Charles Gute

    @bshhh_whut from the series "Random Tweets Reformatted as Telegrams", 2014

    Letterpress and mixed media on vintage paper, 7 1/2 x 9 5/8 inches framed


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    Nina Katchadourian

    "Cats, Holy Terror" from Kansas Cut-Up, 2014

    Digital c-print

    Edition of 5 + 2AP

    13 5/8 x 20 1/8 inches framed

    image description
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    Nina Katchadourian

    "How Did Sex Begin" from Kansas Cut-Up, 2014

    Digital c-print

    Edition of 5 + 2AP

    13 5/8 x 20 1/8 inches framed

    image description
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    Nina Katchadourian

    "Memoirs of a Bastard Angel" from Kansas Cut-Up, 2014

    Digital c-print

    Edition of 5 + 2AP

    13 5/8 x 20 1/8 inches framed

    image description
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    Nina Katchadourian

    "What Did I Do?" from Kansas Cut-Up, 2014

    Digital c-print

    Edition of 5 + 2AP

    13 5/8 x 20 1/8 inches framed

    image description
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    Nina Katchadourian

    "Voices from the Tapes" Kansas Cut-Up , 2014

    Digital c-print

    Edition of 5 + 2 AP

    13 5/8 x 20 1/8 inches framed

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    LigoranoReese

    Video of the public art installation Dawn of the Anthropocene, 2014

    MORE about this artwork

    On the morning of September 21, 2014, LigoranoReese installed a 3,000-pound ice sculpture of the words THE FUTURE at the intersection of Broadway and 23rd Streets at Flat Iron North Plaza in New York City. This public art work coincided with the U.N. Climate Summit and the People's Climate March--underscoring the necessity for immediate action to confront global warming.  The ice sculpture, which originally measured 21 feet wide and 5 feet tall, eventually melted away. During this process, LigoranoReese photographed and filmed the installation’s disappearance, posting it on the internet in real-time. The event combined many forms: sculpture, installation, performance, and internet media event.  Dawn of the Anthropocene was so named to describe the effect of humanity on the Earth’s systems. The term comes from Nobel prize scientist Paul Crutzen.  In his and other scientists’ view, humanity has entered an age when the power and impact of humans is as great, if not greater, than nature’s.

    ligoranoreese-dawn-of-the-anthropocene-video-2014
  • INQUIRE

    LigoranoReese

    Photograph of the public art installation Dawn of the Anthropocene, 2014

    MORE about this artwork

    On the morning of September 21, 2014, LigoranoReese installed a 3,000-pound ice sculpture of the words THE FUTURE at the intersection of Broadway and 23rd Streets at Flat Iron North Plaza in New York City. This public art work coincided with the U.N. Climate Summit and the People's Climate March--underscoring the necessity for immediate action to confront global warming.  The ice sculpture, which originally measured 21 feet wide and 5 feet tall, eventually melted away. During this process, LigoranoReese photographed and filmed the installation’s disappearance, posting it on the internet in real-time. The event combined many forms: sculpture, installation, performance, and internet media event.  Dawn of the Anthropocene was so named to describe the effect of humanity on the Earth’s systems. The term comes from Nobel prize scientist Paul Crutzen.  In his and other scientists’ view, humanity has entered an age when the power and impact of humans is as great, if not greater, than nature’s.

    image description
  • INQUIRE

    LigoranoReese

    Photograph of the public art installation Dawn of the Anthropocene, 2014

    MORE about this artwork

    On the morning of September 21, 2014, LigoranoReese installed a 3,000-pound ice sculpture of the words "The Future" at the intersection of Broadway and 23rd Streets at Flat Iron North Plazain New York City. This public art work coincided with the U.N.Climate Summit and the People's Climate March--underscoring the necessity for immediate action to confront global warming.  The ice sculpture, which originally measured 21 feet wide and 5 feet tall, eventually melted away. During this process, LigoranoReese photographed and film the installation’s disappearance, posting it on the internet in real-time. The event combined many forms: sculpture, installation, performance, and internet media event.  Dawn of the Anthropocene was so named to describe the effect of humanity on the Earth’s systems. The term comes from Nobel prize scientist Paul Crutzen.  In his and other scientists’ view, humanity has entered an age when the power and impact of humans is as great, if not greater, than nature’s.

    image description
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    Ligorano/Reese

    You only live twice..., 2012

    Mirror, polished edges, sandblasted word, gold leaf, MDF back

    Edition of 50 + 5 AP

    14 x 6 1/4 inches

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    Walter Robinson

    Gone, 2011

    Mdf, epoxy, metalflake, rubber tire

    25 x 25 x 4 3/4 inches

    image description
  • SOLD

    Walter Robinson

    Theory, 2011

    MDF

    32 x 32 x 1 5/8 inches

    image description
  • SOLD

    Walter Robinson

    Worth (uncollectible), 2010

    MDF, epoxy, metal flake

    32 3/4 x 39 x 2 inches

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  • INQUIRE

    Walter Robinson

    Transport/Cruiser, 2008

    Mdf, epoxy, chrome auto emblem

    32 x 24 x 2 inches

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  • INQUIRE

    Walter Robinson

    Transport/Suburban, 2008

    MDF, epoxy, chrome auto emblem

    48 x 32 x 2 inches

    image description
  • INQUIRE

    Walter Robinson

    Transport/Scamp, 2008

    MDF, epoxy, chrome auto emblem

    32 x 24 x 2 inches

    image description
  • SOLD

    Walter Robinson

    Non, 2006

    Epoxy on carved wood

    9 1/4 x 14 inches

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    John Slepian

    Readymade (library catalog subject search), 2014

    Archival inkjet print on stretched canvas

    Edition of 3; 1/3

    40 x 40 inches

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    John Slepian

    Still photo of SOL, 2014

    Vintage Commodore 64 computer and speech module, BASIC code, quote from Sol LeWitt’s “Paragraphs on Conceptual Art”

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    John Slepian

    SOL, 2014

    Vintage Commodore 64 computer and speech module, BASIC code, quote from Sol LeWitt’s “Paragraphs on Conceptual Art”

    slepian-sol-media-sculpture-2014
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SF

Group exhibition: GARBLE

January 10 – February 14, 2015

Work which combines text and image, or word and object—thwarting, subverting, scrambling or distorting the meaning and context of language norms. The initial meaning of these works seems garbled or destabilized, until confusion gives way to an intelligibility of a higher visual order.

  • Sandow Birk
  • Charles Gute
  • Nina Katchadourian
  • LigoranoReese
  • John Slepian

Reception: January 10 | 4-6 pm

  • Exhibition Works
  • Exhibition Press Release (PDF)

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