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Nina Katchadourian
Still photograph, Under Pressure from the series Seat Assignment, 2014
* Video not available for viewing on-line*
Two-channel video
Edition of 8; 1/8
MORE about this artworkUnder Pressure, the third lavatory music video in the Seat Assignment series, features the 1981 David Bowie/Freddie Mercury duet, "Under Pressure." The title alludes to the pressure to perform well, the pressure of time and the mandate to work quickly, the pressure of a small space to perform in, the psychological pressure on a traveler during a long flight, or even the pressurized air of the cabin. The song follows a musical arc that moves from constraint to an overflowing of emotion back to constraint, and the performance here aims to follow a similar trajectory.
Improvising with materials close at hand, the series Seat Assignment consists of photographs, video, and digital images all made while in flight using only a camera phone. The project began spontaneously on a flight in March 2010 and is ongoing. At present, over 2500 photographs and video, made on more than 70 different flights to date, constitute the raw material of the project. Katchadourian's videos from Seat Assignment are not available for viewing online--exhibition venues and art fairs provide the rare chance to view Katchadourian's videos from this series.
*Email [email protected] for a private viewing link
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Nina Katchadourian
Lavatory Self-Portrait in the Flemish Style #14, 2011
From the series Seat Assignment
C-print
Edition of 8 + proofs
10.667 x 8 inches
MORE about this artworkImprovising with materials close at hand, the series Seat Assignment consists of photographs, video, and digital images all made while in flight using only a camera phone. The project began spontaneously on a flight in March 2010 and is ongoing. At present, over 2500 photographs and video, made on more than 70 different flights to date, constitute the raw material of the project.
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Nina Katchadourian
Lavatory Self-Portrait in the Flemish Style #15, 2011
From the series Seat Assignment
C-print
Edition of 8 + proofs
8.267 x 6 inches
MORE about this artworkImprovising with materials close at hand, the series Seat Assignment consists of photographs, video, and digital images all made while in flight using only a camera phone. The project began spontaneously on a flight in March 2010 and is ongoing. At present, over 2500 photographs and video, made on more than 70 different flights to date, constitute the raw material of the project.
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Nina Katchadourian
Lavatory Self-Portrait in the Flemish Style #17, 2011
From the series Seat Assignment
C-print
Edition of 8 + proofs
8 x 6 inches
MORE about this artworkImprovising with materials close at hand, the series Seat Assignment consists of photographs, video, and digital images all made while in flight using only a camera phone. The project began spontaneously on a flight in March 2010 and is ongoing. At present, over 2500 photographs and video, made on more than 70 different flights to date, constitute the raw material of the project.
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Deborah Oropallo
Lady Jane de Bataille, 2014
Pigment print on canvas
58 x 48 inches
MORE about this artwork"My current work makes reference to European renaissance portrait painting. It targets the ability of paintings to convey power and desire through a discrete arrangement of signs. I take my source images directly from the web in order to explore further elements of commodity, and power in painting today. Pixel resolution is made evident in these images, as a kind of formal signifier of each portrait’s meaning in the contemporary world of web media deluge.
In the Dutch portraits, I focus on the symbolic function of seventeenth and eighteenth century portraits that represent the power of aristocrats, emperors, kings and soldiers through elements of dress, gesture, and other signifiers of accumulated wealth and power. The hybrid image that is developed with the merged images of women selling sexy fantasy, fetish and thematic costumes, elevates maids, widows, nurses and brides above the rank and file and makes them the new royalty.
This work creates a play with the institution of painting, as an institution that arranges these signs to actually construct power and desire through salability.
The adornment of both the women and the men solicit questions of long held beliefs about liberation, desire, bondage, hierarchy, sex and power." - Deborah Oropallo
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Deborah Oropallo
Lady Jane Moor, 2014
Pigment print on canvas
58 x 48 inches
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Masami Teraoka
Hanauma Bay/Wikiwiki Tour, 1982
Watercolor on paper
21 3/8 x 77 inches unframed
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Masami Teraoka
Hanauma Bay/Wikiwiki Tour (detail), 1982
Watercolor on paper
21 3/8 x 77 inches unframed
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Masami Teraoka
Hanauma Bay/Wikiwiki Tour (detail), 1982
Watercolor on paper
21 3/8 x 77 inches unframed
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Masami Teraoka
Hanauma Bay/Wikiwiki Tour (detail), 1982
Watercolor on paper
21 3/8 x 77 inches unframed
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Masami Teraoka
Sarah and Octopus/Seventh Heaven, 2001
29 Color woodblock print on Hosho paper
Edition of 200
10 3/8 x 15 5/8 inches
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Masami Teraoka
31 Flavors Invading Japan/Today's Special, 1980-82
Thirty-five-color woodcut printed from hand-carved blocks of cherry wood with natural dyes and with additional hand-coloring on handmade Hosho paper
Edition of 500
11 1/16 x 16 9/16 inches
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Masami Teraoka
AIDS Series/Geisha in Bath, 2008
Wood block print; 48 colors 34 blocks
Edition of 75
19 ½ x 13 ½ inches
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Masami Teraoka
Ukiyo Sushi Meguir-Waiting for Sushi Delivery #2, 1981
Black watercolor
6 5/16 x 4 1/2 inches image
15 1/4 x 10 1/2 inches unframed
21 x 16 1/4 inches framed
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Masami Teraoka
Study for Sunset Beach, 1988
Watercolor on paper
3 x 10 ¾ inches unframed
9 ¾ x 17 inches framed
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Chester Arnold
Quarry, 2015
Oil on linen
18 x 22 inches
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Chester Arnold
Not the Cliff, but the Idea of the Cliff, 2009
Oil on linen
10 x 12 inches
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Chester Arnold
Sic Transit Gloria Mundi, 2013
Oil on linen
77 x 90 1/4 inches
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Chester Arnold
Fan-Base I, 2009
Oil on linen on panel
10 x 12 inches
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Wanxin Zhang
Fish Dinner Box, 2013
High-fired clay with glaze and decals
11 x 8 x 7 inches
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Wanxin Zhang
Gold Digger, 2014
High-fired clay with glaze
25 x 10 x 9 inches
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Wanxin Zhang
Mao I, 2008
High-fired clay with glaze
12 x 4 x 5 inches
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Wanxin Zhang
Mask Warrior II, 2010
Fired clay and glaze
27 ½ x 11 x 8 ½ inches
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Wanxin Zhang
Red Tie Warrior, 2015
High-fired clay with glaze
27 ½ x 13 x 8 inches
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Wanxin Zhang
Mao II, 2008
High-fired clay with glaze
12 x 4 x 4 inches
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Wanxin Zhang
Day and Night (Tank Man), 2008
High-fired clay with glaze
26 x 11 x 7 ½ inches
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Wanxin Zhang
Impossible I, 2009
Fired clay with glaze and decals
18 x 34 ½ x 17 inches
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Wanxin Zhang
Dragon Lady, 2013
High-fired clay with decals
5 ½ x 5 x 4 inches
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Wanxin Zhang
Where is my Kingdom?, 2011
High-fired clay with glaze and decals
12 x 3 x 4 ½ inches
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Wanxin Zhang
Small Skull, 2002
High-fired clay with glaze and decals
6 x 3 x 4 inches
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John Slepian
SOL, 2014
Vintage Commodore 64 computer and speech module, BASIC code, quote from Sol LeWitt’s “Paragraphs on Conceptual Art”
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John Slepian
Readymade (library catalog subject search), 2014
Archival inkjet print on stretched canvas
Edition of 3; 1/3
40 x 40 inches
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(Please allow a moment for video to load)
Chris DoyleWaste_Generation, 2011
Single-channel digital animation
Edition of 5
6:28-minute continuous loop