CatharineClarkGallery

ARTISTS

  • Chester Arnold
  • Jen Bervin
  • Sandow Birk
  • Lenka Clayton
  • Arleene Correa Valencia
  • Timothy Cummings
  • Chris Doyle
  • Al Farrow
  • Ana Teresa Fernández
  • Ken Goldberg
  • Scott Greene
  • Julie Heffernan
  • Laurel Roth Hope
  • Andy Diaz Hope
  • Nina Katchadourian
  • LigoranoReese
  • Deborah Oropallo
  • Alison Saar
  • Stacey Steers
  • Stephanie Syjuco
  • Josephine Taylor
  • Masami Teraoka
  • Amy Trachtenberg
  • Katherine Vetne
  • Marie Watt
  • Wanxin Zhang
  • BOXBLUR
  • Collaborating Artists
  • Mullowney Printing
  • CCG Offsite & Art Fairs
  • EXHIBITIONS
  • NEWS
  • SHOP
  • ABOUT
  • CONTACT
  • FOLLOW
  • PRIVATE
  • instagram
  • artsy
  • twitter
  • facebook
  • INQUIRE

    Andy Diaz Hope

    Centering Device #6, 2013

    Mirror, lead

    40 x 40 x 21 1/2 inches

    image description
  • INQUIRE

    Andy Diaz Hope

    Black Diamond, 2011

    Black mirror, lead

    18 x 18 x 18 inches

    image description
  • SOLD

    Andy Diaz Hope

    Centering Device #4, 2011

    Mirror, lead

    36 x 36 x 10 inches

    image description
  • INQUIRE

    Andy Diaz Hope

    Infinite Mortal: The Fire, 2010

    Wood, mirror, flicker bulbs, lead

    14 x 14 x 81 ½ inches

    image description
  • INQUIRE

    Andy Diaz Hope and Laurel Roth

    Allegory of the Prisoner's Dilemma, 2012

    Jacquard tapestry

    Edition of 8 + 2 AP

    106 x 76 inches

    image description
  • INQUIRE

    Andy Diaz Hope and Laurel Roth

    Spike, 2007

    Custom chromed chandeliers, hypodermic needles, gel capsules, swarovski crystals

    36 x 36 x 72 inches

    image description
  • INQUIRE

    Andy Diaz Hope

    The Professor, 2007

    Archival photographs, gel capsules, acrylic, artist frame

    Edition of 6

    26 x 36 inches

    MORE about this artwork

    Morning After Portraits 


    The morning after portraits are portraits of people in front of their medicine cabinets or in their local pharmacies with hangovers, migraines, morning sickness and other maladies self-inflicted or bestowed by nature.


    When viewed from afar, the portraits can be read as a whole image. As one moves closer, the image begins to break down and the individual capsule pixels become more dominant. As we continue to find new ways to modify our appearance and our psychological and social presence through legal and illegal drugs, we begin to dissipate the whole that we were born as. We are no longer a sum of our natural history, but a sum of our natural history plus our self selected recreational and medical regimes. We look to our medicine cabinets and stashes to attain social and physical super powers. To stay up longer, show no pain or sorrow and look ageless in the process.


    The series looks behind the mirror to expose the inner workings of our medicine cabinets and our relationship to them as our doctor, psychologist, cosmetician and spiritual healer. It appeals to the viewer’s voyeuristic desire to look inside another’s hidden cabinet of frailties and insecurities. To see another’s vulnerabilities through the medicines they take strips away that person’s invincibility while bolstering one’s own.

     

    -Andy Diaz Hope

    image description
  • INQUIRE

    Andy Diaz Hope

    Holiday Fiction, 2008

    C-prints, U.V. treated gel capsules, artist frame

    Edition of 5 + 1 AP

    24 1/2 x 24 1/2 inches

    MORE about this artwork

    Morning After Portraits 


    The morning after portraits are portraits of people in front of their medicine cabinets or in their local pharmacies with hangovers, migraines, morning sickness and other maladies self-inflicted or bestowed by nature.


    When viewed from afar, the portraits can be read as a whole image. As one moves closer, the image begins to break down and the individual capsule pixels become more dominant. As we continue to find new ways to modify our appearance and our psychological and social presence through legal and illegal drugs, we begin to dissipate the whole that we were born as. We are no longer a sum of our natural history, but a sum of our natural history plus our self selected recreational and medical regimes. We look to our medicine cabinets and stashes to attain social and physical super powers. To stay up longer, show no pain or sorrow and look ageless in the process.


    The series looks behind the mirror to expose the inner workings of our medicine cabinets and our relationship to them as our doctor, psychologist, cosmetician and spiritual healer. It appeals to the viewer’s voyeuristic desire to look inside another’s hidden cabinet of frailties and insecurities. To see another’s vulnerabilities through the medicines they take strips away that person’s invincibility while bolstering one’s own.

     

    -Andy Diaz Hope

    image description
  • INQUIRE

    Andy Diaz Hope

    Dealer, 2008

    Glass vials, duratrans photographs, acrylic, light

    Edition of 3

    35 x 24 x 7 inches

    MORE about this artwork

    Morning After Portraits 

    The morning after portraits are portraits of people in front of their medicine cabinets or in their local pharmacies with hangovers, migraines, morning sickness and other maladies self-inflicted or bestowed by nature.

    When viewed from afar, the portraits can be read as a whole image. As one moves closer, the image begins to break down and the individual capsule pixels become more dominant. As we continue to find new ways to modify our appearance and our psychological and social presence through legal and illegal drugs, we begin to dissipate the whole that we were born as. We are no longer a sum of our natural history, but a sum of our natural history plus our self selected recreational and medical regimes. We look to our medicine cabinets and stashes to attain social and physical super powers. To stay up longer, show no pain or sorrow and look ageless in the process.

    The series looks behind the mirror to expose the inner workings of our medicine cabinets and our relationship to them as our doctor, psychologist, cosmetician and spiritual healer. It appeals to the viewer’s voyeuristic desire to look inside another’s hidden cabinet of frailties and insecurities. To see another’s vulnerabilities through the medicines they take strips away that person’s invincibility while bolstering one’s own.

     

    -Andy Diaz Hope

    image description
  • INQUIRE

    Andy Diaz Hope

    Gideon Bible, 2010

    Digital C-print

    Edition of 6 + 2 AP

    12 x 17 3/4 inches

    image description
  • INQUIRE

    Andy Diaz Hope

    LA Tourist Tube, 2005

    Digital C-print

    Edition of 6 + 2 AP

    12 1/4 x 17 3/4 inches

    image description
  • INQUIRE

    Andy Diaz Hope

    Clown Infiltration, 2010

    Digital C-print

    Edition of 6 + 2 AP

    12 x 17 3/4 inches

    image description
  • INQUIRE

    Andy Diaz Hope

    Night Clown, 2008

    Digital C-print

    Edition of 6 + 2 AP

    20 x 30 inches

    image description
prev next 1 / 1

SF

Studio Event: Andy Diaz Hope

June 15 – June 15, 2013

Join us for an afternoon of margaritas and a preview of Andy Diaz Hope’s most recent studio work! 2900 21st Street San Francisco

Saturday, June 15 | 3-5pm

  • Exhibition Works
  • Biography
  • Exhibition Checklist (PDF)
  • More Andy Diaz Hope

SAN FRANCISCO

248 Utah Street San Francisco, CA 94103 415.399.1439 m. 415.519.1439
VISIT
  • Hours &
    Directions
  • Parking
CONTACT
  • Phone & Email
CONNECT
  • Subscribe
RESOURCES
  • Gallery Floorplans
  • Links
  • Event Rental
© Catharine Clark Gallery 2023 Website by J28 & MacFadden & Thorpe