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Jen Bervin and Lenka Clayton
Installation of Booth A56 at UNTITLED, ART Miami Beach, 2021
Photo: Dan Bradica.
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Jen Bervin, Lenka Clayton, and Stephanie Syjuco
Installation of Booth A56 at UNTITLED, ART Miami Beach, 2021
Photo: Dan Bradica.
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Stephanie Syjuco, Lenka Clayton, and Jen Bervin
Installation of Booth A56 at UNTITLED, ART Miami Beach, 2021
Photo: Dan Bradica.
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Nina Katchadourian and Stephanie Syjuco
Installation of Booth A56 at UNTITLED, ART Miami Beach, 2021
Photo: Dan Bradica.
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Stephanie Syjuco
Installation of Booth A56 at UNTITLED, ART Miami Beach, 2021
Photo: Dan Bradica.
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Ana Teresa Fernández and Brad McCallum
Installation of Booth A56 at UNTITLED, ART Miami Beach, 2021
Photo: Dan Bradica.
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Bradley McCallum
Installation of Booth SP9 at UNTITLED, ART Miami Beach, 2021
Photo: Dan Bradica.
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Nina Katchadourian
How to Wrap Five More Eggs in the series “Noguchi,”, 2021
C-print
8 + 2AP
13 5/8 x 20 1/8 inches framed
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Nina Katchadourian
Light on America in the series “Noguchi”, 2021
C-print
Edition of 8 + 2AP
13 5/8 x 20 1/8 inches framed
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Nina Katchadourian
Man in the Holocene in the series “Noguchi”, 2021
C-print
Edition of 8 + 2AP
13 5/8 x 20 1/8 inches framed
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Nina Katchadourian
The Drama of the Gifted Child in the series “Noguchi”, 2021
C-print
Edition of 8 + 2AP
13 5/8 x 20 1/8 inches framed
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Nina Katchadourian
The Joy of Sex in the series “Noguchi", 2021
C-print
Edition of 8 + 2AP
13 5/8 x 20 1/8 inches framed
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Nina Katchadourian
This Time of Morning in the series “Noguchi”, 2021
C-print
Edition of 8 + 2AP
13 5/8 x 20 1/8 inches framed
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Nina Katchadourian
This is Japan in the series “Noguchi”, 2021
C-print
Edition of 8 + 2AP
13 5/8 x 20 1/8 inches framed
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Nina Katchadourian
Whale Sound in the series “Noguchi”, 2021
C-print
Edition of 8 + 2AP
13 5/8 x 20 1/8 inches framed
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Nina Katchadourian
What Is Modern Sculpture? in the series “Noguchi”, 2021
C-print
Edition 8 + 2AP
13 5/8 x 20 1/8 inches framed
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SOLD
Stephanie Syjuco
Afterimages (Deflection of Vision), 2021
Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag; re-edited photograph of an ethnological display of Filipinos from the 1904 St. Louis World’s Fair.
Edition of 20 + 8 proofs
Image: 20 x 16 inches; Sheet: 24 x 18 inches
MORE about this artworkAfterimages (Deflection of Vision), 2021
Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag; re-edited photograph of an ethnological display of Filipinos from the 1904 St. Louis World’s Fair. Printed by Paul Mullowney and Harry Schneider in an edition of 20 plus 8 proofs. Co-published by BOXBLUR, Catharine Clark Gallery, and Mullowney Printing, San Francisco, CA and Portland.
Image: 20 x 16 inches
Sheet: 24 x 18 inches
Note: Crumpled/folded gampi is proud by 1/8” from back mounted layer of Somerset
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Stephanie Syjuco
Afterimages (Field of Vision), 2021
Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag; re-edited photograph of an ethnological display of Filipinos from the 1904 St. Louis World’s Fair.
Edition of 20 + 8 proofs
Image: 16 x 20 inches; Sheet: 18 x 24 inches
MORE about this artworkAfterimages (Field of Vision), 2021
Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag; re-edited photograph of an ethnological display of Filipinos from the 1904 St. Louis World’s Fair. Printed by Paul Mullowney and Harry Schneider in an edition of 20 plus 8 proofs. Co-published by BOXBLUR, Catharine Clark Gallery, and Mullowney Printing, San Francisco, CA and Portland.
Image: 16 x 20 inches
Sheet: 18 x 24 inches
Note: Crumpled/folded gampi is proud by 1/8” from back mounted layer of Somerset
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Stephanie Syjuco
Afterimages (Interference of Vision), 2021
Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag; re-edited photograph of an ethnological display of Filipinos from the 1904 St. Louis World’s Fair.
Edition of 20 + 8 proofs
Image: 16 x 20 inches; Sheet: 18 x 24 inches
MORE about this artworkAfterimages (Interference of Vision), 2021
Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag; re-edited photograph of an ethnological display of Filipinos from the 1904 St. Louis World’s Fair. Printed by Paul Mullowney and Harry Schneider in an edition of 20 plus 8 proofs. Co-published by BOXBLUR, Catharine Clark Gallery, and Mullowney Printing, San Francisco, CA and Portland.
Image: 16 x 20 inches
Sheet: 18 x 24 inches
Note: Crumpled/folded gampi is proud by 1/8” from back mounted layer of Somerset
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Stephanie Syjuco
Afterimages (Interruption of Vision), 2021
Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag; re-edited photograph of an ethnological display of Filipinos from the 1904 St. Louis World’s Fair.
Edition of 20 + 8 proofs
Image: 20 x 16 inches; Sheet: 24 x 18 inches
MORE about this artworkAfterimages (Interruption of Vision), 2021
Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag; re-edited photograph of an ethnological display of Filipinos from the 1904 St. Louis World’s Fair. Printed by Paul Mullowney and Harry Schneider in an edition of 20 plus 8 proofs. Co-published by BOXBLUR, Catharine Clark Gallery, and Mullowney Printing, San Francisco, CA and Portland.
Image: 20 x 16 inches
Sheet: 24 x 18 inches
Note: Crumpled/folded gampi is proud by 1/8” from back mounted layer of Somerset
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Stephanie Syjuco
Afterimages (Obstruction of Vision), 2021
Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag; re-edited photograph of an ethnological display of Filipinos from the 1904 St. Louis World’s Fair.
Edition of 20 + 8 proofs
Image: 16 x 20 inches; Sheet: 18 x 24 inches
MORE about this artworkAfterimages (Obstruction of Vision), 2021
Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag; re-edited photograph of an ethnological display of Filipinos from the 1904 St. Louis World’s Fair. Printed by Paul Mullowney and Harry Schneider in an edition of 20 plus 8 proofs. Co-published by BOXBLUR, Catharine Clark Gallery, and Mullowney Printing, San Francisco, CA and Portland.
Image: 16 x 20 inches
Sheet: 18 x 24 inches
Note: Crumpled/folded gampi is proud by 1/8” from back mounted layer of Somerset
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Stephanie Syjuco
Pileup (Brass Bells), 2021
Hand-assembled pigmented inkjet prints on Hahnemuhle Baryta
Edition of 3 + 2AP
36 x 48 inches framed
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Stephanie Syjuco
Pileup (Eastman), 2021
Hand-assembled pigmented inkjet prints on Hahnemuhle Baryta
Edition of 3 + 2AP
48 x 36 inches framed
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SOLD
Stephanie Syjuco
Pileup (Herbaria), 2021
Hand-assembled pigmented inkjet prints on Hahnemuhle Baryta
Edition of 3 + 2AP
48 x 36 inches framed
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Lenka Clayton
Empty Recycling Bins in Paper Conservation (09/29/2021) in the series "Typewriter Drawings"
, 2021Typewriter ink on paper, rendered with a portable 1957 Smith-Corona Skywriter typewriter
Sheet: 11 5/8 x 8 1/4 inches
Frame: 14 3/4 x 11 3/4 inches -
Lenka Clayton
The Least Important Side of the Most Important Document (09/28/2021) in the series "Typewriter Drawings", 2021
Typewriter ink on paper, rendered with a portable 1957 Smith-Corona Skywriter typewriter
Sheet: 11 5/8 x 8 1/4 inches
Frame: 14 3/4 x 11 3/4 inches each. -
SOLD
Lenka Clayton
4:01pm in the Archives (09/09/2021) in the series "Typewriter Drawings", 2021
Typewriter ink on paper, rendered with a portable 1957 Smith-Corona Skywriter typewriter
Sheet: 11 5/8 x 8 1/4 inches
Frame: 14 3/4 x 11 3/4 inches -
Lenka Clayton
A Complaint from 1974 (09/03/2021) in the series "Typewriter Drawings", 2021
Typewriter ink on paper, rendered with a portable 1957 Smith-Corona Skywriter typewriter
Sheet: 11 5/8 x 8 1/4 inches
Frame: 14 3/4 x 11 3/4 inches -
Lenka Clayton
Bored Archivist (09/01/2021) in the series "Typewriter Drawings", 2021
Typewriter ink on paper, rendered with a portable 1957 Smith-Corona Skywriter typewriter
Sheet: 11 5/8 x 8 1/4 inches
Frame: 14 3/4 x 11 3/4 inches -
Lenka Clayton
Not Archived (09/30/2021) in the series "Typewriter Drawings", 2021
Typewriter ink on paper, rendered with a portable 1957 Smith-Corona Skywriter typewriter
Sheet: 11 5/8 x 8 1/4 inches
Frame: 14 3/4 x 11 3/4 inches -
Lenka Clayton
Nothing in the Museum (08/22/2021) in the series "Typewriter Drawings", 2021
Typewriter ink on paper, rendered with a portable 1957 Smith-Corona Skywriter typewriter
Sheet: 11 5/8 x 8 1/4 inches
Frame: 14 3/4 x 11 3/4 inches -
Lenka Clayton
Sculpture by Security Guards (09/22/2021) in the series "Typewriter Drawings", 2021
Typewriter ink on paper, rendered with a portable 1957 Smith-Corona Skywriter typewriter
Sheet: 11 5/8 x 8 1/4 inches
Frame: 14 3/4 x 11 3/4 inches -
Lenka Clayton
Space for the Future (09/19/2021) in the series "Typewriter Drawings", 2021
Typewriter ink on paper, rendered with a portable 1957 Smith-Corona Skywriter typewriter
Sheet: 11 5/8 x 8 1/4 inches
Frame: 14 3/4 x 11 3/4 inches -
Stephanie Syjuco
Overlay, 2021
Pigmented inkjet print of Hahnemuhle Baryta mounted on 3mm E-Panel
Edition of 3 + 2AP
34 3/4 x 27 3/4 inches framed
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Jen Bervin
The Dickinson Composites Series (The Composite Marks of Fascicle 38), 2008
Cotton batting, muslin, and hand-dyed silk thread
72 x 96 inches
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Ana Teresa Fernández
Borrando la Frontera (Erasing the Border) 01, 2011/2021
Pigment print
Small: 20 x 30 inches (approximately)
Edition of 10 + 1AP
Medium: 30 x 40 inches (approximately)
Edition of 5 + 1AP
Large: 48 x 72 inches (approximately)
Edition of 5 + 1AP
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Ana Teresa Fernández
Borrando la Frontera (Erasing the Border) 02, 2012/2021
Pigment print
Small: 20 x 30 inches (approximately)
Edition of 10 + 1AP
Medium: 30 x 40 inches (approximately)
Edition of 5 + 1AP
Large: 48 x 72 inches (approximately)
Edition of 5 + 1AP -
Ana Teresa Fernández
Borrando la Frontera (Erasing the Border) 03, 2011/2021
Pigment print
Small: 20 x 30 inches (approximately)
Edition of 10 + 1AP
Medium: 30 x 40 inches (approximately)
Edition of 5 + 1AP
Large: 48 x 72 inches (approximately)
Edition of 5 + 1AP -
Ana Teresa Fernández
Erasing the Border (Borrando la Frontera), 2011
Single-channel video with sound
Edition of 5 + 1AP
3:38 minutes