Opening at The Church in Sag Harbor this past weekend, "Are You Joking? Women & Humor" is an art exhibition that shares with a public audience the quirkiness and comedic relief necessary in today's times.
Curated by Sara Cochran, the show runs through September 2, and it highlights the work of 40 female artists - some locally recognized and others well-known on the national scale. The work ranges across mediums, including oil on canvas, acrylic and even video works.
Katherine Bernhardt's 2022 canvas "Shark Attack" is one of the exhibition's primary pieces. It features a large-scale Pink Panther smoking a cigarette, while a shark appears to attack from above. Bernhardt's work tends to focus less on the importance of materiality and more on the placement of the subject and its coloring.
"'Shark Attack' takes on the traditions of paintings. Ignoring illusion, perspective or scale, [Bernhardt's] paintings flatten any sense of hierarchy or relationship between its elements," The Church stated in a release. "A smattering of absurdly raucous images emerges: sharks, half-smoked cigarettes, donuts, a lost Croc and a sad face juxtaposed with a reclining Pink Panther."
Many museum-goers are accustomed to seeing art displayed formally as a flat and still image, but Patty Chang's work says otherwise. Chang's "Melons (At a Loss)" is a three minute and 47 second performance on video featuring Chang de-seeding a cantaloupe from her bra as she shares a story about her experiences being a woman - at her aunt's funeral, to be exact.
"When she died," says Chang in her video artwork, "extras were ordered from Thrifty's Photo Department," referring to photographic prints of her aunt that were reprinted on cheap plates to be distributed at the funeral. "$10.99 for a saucer, $29.99 for dinner. I was given a saucer, and I was told it was because I was smaller and more petite than everyone else. Not because it was cheaper."
Chang's performances tend to work in conjunction with one another, leaving the viewer filled with laughter and sometimes angst. As she uses a spoon to dig out the fruit and seeds from a cantaloupe sitting inside the left cup of her bra, she speaks of her memories: her aunt's wide smile and her poised facial features, as well as how her next-door neighbor confessed his love to her when they were 10 and 9 years old, respectively.
The work of artist and professor Nina Katchadourian is also included in this exhibition. Working between New York and Berlin, Katchadourian is represented by Catherine Clark Gallery, as well as Pace Gallery, and teaches at New York University's Gallatin School of Individualized Study. Katchadourian's work ranges from interviewing her parents on video (she presented these videos at the Venice Biennale where she won the Golden Lion Award for Best National Participation) to creating site-specific sound installations of bird calls which act as car alarms (make sure to check out her work - she's hilarious).
On view at The Church are three images from Katchadourian's "Lavatory Self-Portrait in the Flemish Style" series from her "Seat Assignment" project. The project began spontaneously in 2010 when she challenged herself to be creative on a flight. Using the plane's tiny bathroom and her camera phone to create an in-flight studio, Katchadourian began taking stylized self-portraits using only items on hand like toilet bowl covers, headrest protectors, toilet paper, travel pillows and other objects to transform herself into a Flemish model. She has continued the series for more than 200 flights.
Alongside these artists, East Hampton's Almond Zigmund has two works included in this show. During a recent visit to her East Hampton studio, Zigmund shared a bit about her artistic process and journey.
"They're figurative," Almond said of her two paintings in "Are You Joking" at The Church. "They have no association with identity. I'm taking the idea of identity out of it, and you know, hopefully creating something that is accessible to anyone and everyone. There is no specificity in terms of all of the things we use to identity ourselves.
"It's not that I don't believe in identity, but I don't believe in the idea of planting a flag and having that be the most important thing about us," Zigmund continued. "I do love the idea of creating this thing beyond that, that speaks of something that exists, beyond language, beyond recognizable."
Zigmund's work has been exhibited locally, nationally and internationally, including as installations and site-specific works at the U.S. Embassy in Paraguay, New York City's Department of Transportation, the Parrish Art Museum, The Drawing Room in East Hampton and at Berliner Kunstprojekt Gallery in Berlin. In addition to this exhibition at The Church, Zigmund has work on view in "Fielding Line & Space," a new group show curated by Heather Marx and Steven Sergiovanni that opened at The Fireplace Project in Springs on June 22.
Zigmund's work uses color in a less traditional sense and lives to share a humorous story - one the viewer may have to assign themselves. "I work a lot in response to things," Zigmund explained. "And so part of what I was, and am, responding to is just the circumstances of my life - some of it is in my control and some of it isn't."
Zigmund shared the story of how she started to create collage work - it was around the time of Superstorm Sandy in the fall of 2012 and she was home with her daughter in East Hampton.
"We just did a whole bunch of collages," Zigmund said in her studio. "And all of a sudden, I realized I wasn't being able to get in [the studio] as much as I wanted. Collage was this way to be able to come in for a short amount of time, maybe an hour, maybe two hours, and make maybe four pieces and feel like, 'Oh, I've done work.' It was just much more immediate, and it didn't need that much of my brain."
Another important factor within Zigmund's practice, and within the higher education system in fine arts, is the difference between the East Coast and the West Coast.
"I got my MFA in Las Vegas," Zigmund said while finding a book on the shelf near the entrance of her studio. "Being in Las Vegas is kind of exactly where I needed to be - unlike New York at the time, especially in the early '90s, there was this great sort of permissiveness to make objects, to paint with color, to use pattern, to make art with all of these sensual things. Whereas in New York, at that time, it was really focused on a very heavy research based identity politics and mining your own trauma to make art. I wasn't interested in that - that's not what I wanted to do."
Though pedagogies and artistic styles differ from each coast, the work on view at The Church is the perfect conglomerate of both, and is brought together through humor and a sense of belonging through the works and artists alike.
"Are You Joking? Women & Humor" opening reception is Saturday, June 22, from 6 to 7:30 p.m. The show will be on view through September 2. Participating artists are: Nina Chanel Abney, Eleanor Antin, Monica Banks, Lynda Benglis, Katherine Bernhardt, Deborah Buck, Patty Chang, Sonya Clark, Renee Cox, Pipi Deer, Abigail DeVille, Madeline Donahue, Rosalyn Drexler, Martha Edelheit, Nicole Eisenman, Saskia Friedrich, Pippa Garner, Shadi Ghadirian, Carly Haffner, K8 Hardy, Judith Hudson, Nina Katchadourian, Caitlin Keogh, Louise Lawler, Judith Linhares, Olivia Locher, Sarah Lucas, Tala Madani, Gladys Nilsson, Joyce Pensato, Wendy Red Star, Pipilotti Rist, Cara Romero, Bastienne Schmidt, Dana Schutz, Cindy Sherman, Heji Shin, Denise Silva-Dennis, Laurie Simmons, Alexis Smith, Tammi Smith, Mickalene Thomas, Claire Watson, Lisa Yuskavage and Almond Zigmund.
The Church is at 48 Madison Street in Sag Harbor. For more information, visit thechurchsagharbor.org.
To read the article online, visit https://www.27east.com/arts/the-church-is-here-to-prove-that-women-artists-are-funny-too-2261990/.
