Jen Bervin
Jen Bervin is an artist and poet whose multidisciplinary practice delves into entangled relationships between text, textiles, and situated poetics to create complex, yet elegant work. Bervin’s solo and collaborative works often result from long-term research and collaboration with artists and specialists ranging from literary scholars to material scientists. Her conceptual, scientific, and literary investigations of material histories are attuned to the embodied, visual, and tactile aspects of language, and forms of inscription by non-human agencies. This work has been exhibited internationally at MOMENTA, Biennale de l’Image, Montreal; the Hong Kong University Museum and Art Gallery; Ian Potter Museum of Art, Melbourne; The Power Plant, Toronto; Walker Art Center, Minneapolis; MASS MoCA; Tufts University Art Galleries, Medford; Rhode Island School of Design, Providence; Des Moines Art Center; and Morgan Library and Museum, New York. Bervin has earned numerous awards, fellowships and grants including The Beinecke Rare Book & Manuscript Library Short Term Research Fellowship at Yale University (2023–24), the Banff Centre Fleck Fellowship (2022), SETI Institute Artist in Residence (2016–2019), Foundation for Contemporary Art (2017), The Rauschenberg Residency (2016), Asian Cultural Council (2016), Montalvo Arts Center Lucas Artist Program (2016), Bogliasco Foundation (2014), Creative Capital (2013), The Josef and Anni Albers Foundation (2012), New York Foundation for the Arts (2007), Camargo Foundation (2006), and MacDowell Colony (2006).
Bervin's books include Gorgeous Nothings: Emily Dickinson’s Envelope Poems (New Directions/Christine Burgin with Marta Werner and Susan Howe); a Book of the Year selection by The New Yorker; Silk Poems (Nightboat Books), a New Museum Book of the Year and a finalist for the Lambda Literary Award; Nets (UDP) and many others with Granary Books. A monograph publication Jen Bervin: Shift Rotate Reflect, Selected Works (1997–2020) is published in conjunction with the first survey exhibition of artist and poet Jen Bervin (b. 1972), organized by director and chief curator Kendra Paitz at University Galleries of Illinois State University, supported by grants from the National Endowment for the Arts and the Andy Warhol Foundation for the Visual Arts. Her work can be found in more than sixty international collections, including Bibliothèque Nationale de France, Yale University, Brooklyn Museum, and The J. Paul Getty Museum. Bervin's work has been covered in media outlets such as Artforum, Huffington Post, NPR, The Nation, LA Times, Frieze, The New Yorker, and The New York Times.
Bervin lives and works in Connecticut with her wife, Charlotte Lagarde, and has been represented by Catharine Clark Gallery since 2021.
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Up the Hill Backwards: Embracing Queer Indeterminacy
Group Exhibition June 27 - August 17, 2024Opening June 27, 2024 Titled after a David Bowie song, Up the Hill Backwards celebrates the radical potential of discovering meaning beyond established paradigms. A hallmark of queer aesthetics is embracing in-between spaces that are unfixed, where something is neither this nor that. The artists showcased in the exhibition explore...Read more -
Jen Bervin: Source
April 1 - June 10, 2023Jen Bervin: Source April 1 – June 10, 2023 April 1: Opening Reception 3 – 5pm. Artist walkthrough at 3:30pm. Dance party with DJ set by Steve Zavattero: 8 – 10pm April 4: Artist talk at 7:00pm in conjunction with UCSF ’ s Orlo H. Clark Lectureship South gallery closes...Read more
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Concordance Omission, 2023View more details -
The Dickinson Composites Series (The Composite Marks of Fascicle 10), 2022View more details -
The Dickinson Composites Series (The Composite Marks of Fascicle 12), 2022View more details -
The Dickinson Composites Series (The Composite Marks of Fascicle 35), 2022View more details -
Close Reading 207 “In vain to punish Honey”, 2021View more details -
Close Reading 287 “Most Arrows”, 2021View more details -
Close Reading 401 and 401a “The Infinite a sudden Guest”, 2021View more details -
Close Reading 752 and 752a “Emerging from an Abyss”, 2021View more details -
Close Reading 76 “Sloth”, 2021View more details -
Close Reading 838 and 838a “I hope you have the power of hope –“, 2021View more details -
Close Reading 869 “Science is very near us –“, 2021View more details -
Close Reading 876 and 876a “If Heaven is negative”, 2021View more details -
Faire et défaire c’est travailler, 2021View more details -
Faire et défaire c’est travailler (Doing and undoing, it’s working.), 2021View more details -
7S (Seven Silks), 2018View more details -
Silk Poems (installation), 2016View more details -
Silk Poems (print), 2016View more details -
The Dickinson Composites., 2010View more details -
The Dickinson Composites Series (The Composite Marks of Fascicle 28), 2008View more details -
The Dickinson Composites Series (The Composite Marks of Fascicle 38), 2008View more details -
River, 2006-2018View more details -
The Dickinson Composites Series (The Composite Marks of Fascicle 19), 2006View more details -
The Dickinson Composites Series (The Composite Marks of Fascicle 16), 2004View more details -
The Dickinson Composites Series (The Composite Marks of Fascicle 40), 2004View more details -
Pierced Light [Latitude 31.4482, Longitude 109.9284], 1998View more details


