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Sandow Birk and Elyse Pignolet
A Conservative Map of the World, 2011
6 color lithograph
Edition of 25, AP of 5
34 x 46 inches
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Sandow Birk and Elyse Pignolet
A Liberal Map of the World, 2011
6 color lithograph
Edition of 25, AP of 5
34 x 46 inches
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SOLD
Sandow Birk
A Map of the Known World, 2011
Archival ink, graphite, and gouache on cotton rag paper
24 x 71 inches image size
37 x 83 1/2 inches framed
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Adam ChapmanStarling Drawings, 2008
Single-channel HD digital works with custom electronics, custom software,
computer, paper, and artists frame and are available in three sizesEditions of 3 + 1AP
16 x 12 ½ x 2 ½ inches
27 ½ x 20 x 4 inches
46 x 30 x 5 inchesLoop
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Timothy Cummings
Painting Lesson, 2011
Acrylic on linen panel
12 x 8 inches unframed
13 x 9 inches framed
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Al Farrow
Casket Reliquary III (Foot of Santo Guerro), 2011
Bullets, shell casings, steel, wood, glass, bone, lock, antique velvet
10 ¾ x 14 ½ x 9 ¾ inches
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Scott Greene
Real Whirl, 2012
Oil on canvas on board
45 1/4 x 64 inches
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Charles Gute
@francesantos99 from the series "Random Tweets Reformatted as Telegrams", 2012
Letterpress and mixed media on vintage paper
5 5/8 x 8 inches unframed
7 1/2 x 9 5/8 inches framed
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Charles Gute
@longliveallyson from the series "Random Tweets Reformatted as Telegrams", 2012
Letterpress and mixed media on vintage paper
5 5/8 x 8 inches unframed
7 1/2 x 9 5/8 inches framed
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Charles Gute
@lapurrfekta from the series "Random Tweets Reformatted as Telegrams", 2012
Letterpress and mixed media on vintage paper
5 5/8 x 8 inches unframed
7 1/2 x 9 5/8 inches framed
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Nina Katchadourian
Lavatory Self-Portrait in the Flemish Style #18-19, 2011
C-print
Edition of 8
Diptych: 7.157 x 6 inches each
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Nina Katchadourian
"Robinson Crusoe" from Sorting Shark, 2001
Digital c-print
Edition of 5
12 ½ x 19 inches unframed
13 ½ x 20 5/8 inches framed
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Nina Katchadourian
"Paradise" from BookPace, 2002
Digital c-print
Edition of 5
12 1/2 x 19 inches unframed
13 1/2 x 20 inches framed
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Ellen Kooi
Velsen - Slootmist, 2003
Fuji Crystal Archive, Plexiglass, Reynobond
Edition of 10 + 2 AP
35 ½ x 65 ¾ inches
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Kambui Olujimi
Untitled from In Between Us, 2009
Polaroid and ink on paper
8 1/2 x 6 inches unframed
13 1/8 x 10 1/8 inches framed
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Kambui Olujimi
Untitled from In Between Us, 2009
Polaroid and ink on paper
8 1/2 x 6 inches unframed
13 1/8 x 10 1/8 inches framed
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Kambui Olujimi
Untitled from In Between Us, 2009
Polaroid and ink on paper
8 1/2 x 6 inches unframed
13 1/8 x 10 1/8 inches framed
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Walter Robinson
Endgame, 2011
Thermoplastic, epoxy, Styrofoam, polyester resin, glow-in-the-dark paint
35 1/2 x 46 x 22 inches
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Installation view of Walter Robinson's solo exhibition, Catharine Clark Gallery New York, 2011-2012
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Travis Somerville
Great American Let Down, 2009
Wood, metal, painted vintage photographs
64 x 138 x 96 inches
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Travis Somerville
Well Division, 2009
Acrylic on vintage porcelain drinking fountains, auto paint on metal drinking fountain, enamel on wood signs
73 ½ x 318 x 14 inches
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Stephanie Syjuco
Pattern Migration: Handmade Mass Manufactured (Full Set), 2011
Merino wool and fabric, sewn from coverlets woven by Peggy Hart
36 x 36 inches
MORE about this artworkCommissioned by the Columbus Museum of Art, Ohio, Pattern Migration responds to the museum’s extensive collection of 19th century American coverlet (blanket) weavings and entwines multiple production processes to address the friction between globalized factory production and artisanal craft.
Syjuco, interested in the aesthetic conventions of modern capitalism and consumer goods, worked with three contemporary weavers in the U.S. and in Europe (Peggy Hart, Erika Hanson, and Travis Meinolf) to produce three new textiles that mimic the distinctive plaid pattern that typically adorns cheap, mass-produced plastic travel bags.
Subsequently, a set of hand-sewn replica Chinese bags were made from Syjuco’s new woven coverlets, disrupting the divergent areas of high culture and commercial production and reflecting on the history of textile production and anonymous labor and their ever-shifting relationship with the object’s marketplace value. Commonly used around the world, these bags are hallmarks of the globalized spread of objects as well as migrant communities.
Finally, working with a Chinese factory, Syjuco produced five kilometers worth of plastic woven fabric, this time embedded with an intricate starburst pattern that was originally developed by a 19th century American weaver. The quantity of the fabric represents the minimum order that could be placed, reflecting the massive scale of factory production today. Visitors to the exhibition were able to take yardage from this fabric and were encouraged to make new “products” with it, thus continuing the cycles of production.
Together, the works in Syjuco’s Pattern Migration close the loop between handmade and mass-produced object, forming a strange hybrid of disparate production processes.
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Masami Teraoka
Brave New World Travelers/Tsubatsuke Scene, 1991
Watercolor on paper
14 7/8 x 11 inches unframed
22 7/8 x 18 1/2 inches framed
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Masami Teraoka
Brave New World Travelers/Punk Samurai, 1991
Watercolor on paper
14 7/8 x 11 inches unframed
23 7/8 x 18 1/2 inches framed