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An exhibit of recent publications by Mullowney Printing.
Yes, it's an original., 2023
Prints by Arleene Correa Valencia, Sherrill Roland, Kali Spitzer, Stephanie Syjuco, Masami Teraoka, Storm Tharp, Marie Watt and more.
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Arleene Correa Valencia
Abuela, disculpa por molestar tu paz pero necesito que sepas que él está bien. Lo he cuidado mucho y ahora tiene su pedazo de felicidad.; Grandmother, I am sorry to disturb your peace but I need you know that he’s okay. I’m taking care of him and he finally has a piece of happiness., 2023
Copperplate photogravure and soft ground etching with embroidery on silk.
Edition of 6 + proofs
37 x 25 3/4 inches
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Arleene Correa Valencia
Gracias por la foto Arlen hasta lloro de ver a su papi y a veces los encuentro viendo la foto y platicandole todo lo que hacen y las regañadas que les pongo.; Thank you for the picture, Arlene cried when she saw her daddy and sometimes I find them looking at your picture telling it everything that they are doing and all the scolding I’ve had to do., 2023
Copperplate photogravure and soft ground etching with embroidery on silk.
Edition of 6 + proofs
37 x 25 3/4 inches
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Arleene Correa Valencia
Si por alguna cosa, llega a pasar algo por favor cuida mucho a nuestros hijos recogerlos y cuidalos tratalos bien, a la nena cuídamela mucho. / If for any reason something were to happen please take care of our kids. Come for them and take good care of them, treat them right and please take really good care of our baby girl., 2023
Copperplate photogravure and soft ground etching with embroidery on silk.
Edition of 6 + proofs
37 x 25 3/4 inches
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Arleene Correa Valencia
El muchacho este Mario Maya el que tenía las nalgas tatuadas, el novio de Gardenia Caballero acaba de morir, asfixiado allí en la frontera en la cajuela de un carro.; The young man, Mario Maya, the one that has tattoos on his ass, Gardenia Caballero’s boyfriend, has just died, suffocated in the trunk of a car at the border., 2023
Copperplate photogravure and hard ground etching with embroidery on silk.
Edition of 6 + proofs
37 x 25 3/4 inches
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Arleene Correa Valencia
Te mando una cara de changito./ Sending you a little monkey face., 2023
Copperplate photogravure and hard ground etching with embroidery on silk.
Edition of 6 + proofs
37 x 25 3/4 inches
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Arleene Correa Valencia
Si tu dudas del amor que yo te tengo, por favor de ella no dudes, ella es una personita bien linda y no tiene todavía la maldad de echar mentiras. Ella te quiere mucho. / Even if you doubt the love that I have for you, please don’t ever doubt hers. She is a beautiful little person and she doesn’t yet have the evil in her to lie. She loves you so much., 2023
Copperplate photogravure and soft ground etching with embroidery on silk.
Edition of 6 + proofs
25 3/4 x 37 inches
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Marie Watt
Vivid Dream (Liberty), 2023
Photogravure on gampi with calico fabric prints of Indigenous trade cloth, collage, string, and silver leaf.
Edition of 10 + proofs
Sheet: 31 1/2 x 19 inches
Frame: 34 1/2 x 22 1/8 inches -
Marie Watt
Vivid Dreams (Blossom), 2023
Photogravure on gampi with calico fabric prints, collage, string, silver leaf.
Edition of 15 + proofs
Sheet: 18 x 14 inches
Frame: 21 x 17 1/4 inches -
Marie Watt
Ancient and Young Observer (Ghost), 2023
Woodcut on Sekishu kozo. Printed by Harry Schneider, assisted by Alejandra Arias Sevilla and Lori Linton.
Proof edition of 5AP
20 3/4 x 92 inches
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Marie Watt
Horizon: Ancient and Young Observer (Version 1), 2023
Woodcut on hand-dyed Sekishu with silver leaf embellishment. Printed by Harry Schneider, assisted by Alejandra Arias Sevilla and Lori Linton.
Edition of 10
20 3/4 x 92 inches
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Storm Tharp
Upper Teahouse, 2023
Six panel Monotype printed on various handmade Asian papers and silk; unique.
71 1/2 x 71 1/2 inches
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Storm Tharp
Spain, 2023
Four panel Monotype and Drypoint printed on handmade Asian papers; unique.
35 5/8 x 94 3/4 inches
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Storm Tharp
Squatting Naga (Konchi-in), 2023
Monotype on gampi; unique.
Sheet: 36 x 24 inches
Frame: 40 x 28 1/8 inches
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Kali Spitzer
Untitled in the series The North, 2023
Copperplate photogravure on gampi with metal leafing.
Sheet: 16 x 12 inches
Frame: 21 1/4 x 17 1/2 inches
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Kali Spitzer
Untitled in the series The North, 2023
Copperplate photogravure on gampi with metal leafing.
Sheet: 16 x 12 inches
Frame: 21 1/4 x 17 1/2 inches -
Masami Teraoka
31 Flavors Invading Japan (Macadamia), 1978/2023
Five-color hand-printed relief print with oil-based lithography and etching inks on handmade Hamada Kozo from a polymer relief plate and an original zinc key plate.
Edition of 50 + 12 APs + 1 OKTP + TPs
Image: 11 x 7 1/2 inches
Sheet: 13 x 9 1/2 inches
Frame: 16 x 12 1/2 inchesMORE about this artworkThe original zinc key plate was produced in 1978 by Ron McPherson of La Paloma Press. Three impressions with hand-coloring were completed in 1978, corresponding to three different flavors of ice cream: Cherry, Pistachio, and Peach. The edition as originally conceived was not realized by Ron McPherson but was later realized by Paul Mullowney, Master Printer of Mullowney Printing, as approved by the artist and Ron McPherson. In 2023, the original zinc key plate was translated into a polymer relief plate and editioned. Printed by Mullowney Printing, Portland, OR. Published by Catharine Clark Gallery, San Francisco.
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Stephanie Syjuco
Afterimages (Obstruction of Vision), 2021
Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag; re-edited photograph of an ethnological display of Filipinos from the 1904 St. Louis World’s Fair.
Edition of 20 + 8 proofs
Image: 16 x 20 inches; Sheet: 18 x 24 inches
MORE about this artworkAfterimages (Obstruction of Vision), 2021
Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag; re-edited photograph of an ethnological display of Filipinos from the 1904 St. Louis World’s Fair. Printed by Paul Mullowney and Harry Schneider in an edition of 20 plus 8 proofs. Co-published by BOXBLUR, Catharine Clark Gallery, and Mullowney Printing, San Francisco, CA and Portland.
Image: 16 x 20 inches
Sheet: 18 x 24 inches
Note: Crumpled/folded gampi is proud by 1/8” from back mounted layer of Somerset
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Stephanie Syjuco
Afterimages (Field of Vision), 2021
Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag; re-edited photograph of an ethnological display of Filipinos from the 1904 St. Louis World’s Fair.
Edition of 20 + 8 proofs
Image: 16 x 20 inches; Sheet: 18 x 24 inches
MORE about this artworkAfterimages (Field of Vision), 2021
Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag; re-edited photograph of an ethnological display of Filipinos from the 1904 St. Louis World’s Fair. Printed by Paul Mullowney and Harry Schneider in an edition of 20 plus 8 proofs. Co-published by BOXBLUR, Catharine Clark Gallery, and Mullowney Printing, San Francisco, CA and Portland.
Image: 16 x 20 inches
Sheet: 18 x 24 inches
Note: Crumpled/folded gampi is proud by 1/8” from back mounted layer of Somerset
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Stephanie Syjuco
Afterimages (Interference of Vision), 2021
Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag; re-edited photograph of an ethnological display of Filipinos from the 1904 St. Louis World’s Fair.
Edition of 20 + 8 proofs
Image: 16 x 20 inches; Sheet: 18 x 24 inches
MORE about this artworkAfterimages (Interference of Vision), 2021
Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag; re-edited photograph of an ethnological display of Filipinos from the 1904 St. Louis World’s Fair. Printed by Paul Mullowney and Harry Schneider in an edition of 20 plus 8 proofs. Co-published by BOXBLUR, Catharine Clark Gallery, and Mullowney Printing, San Francisco, CA and Portland.
Image: 16 x 20 inches
Sheet: 18 x 24 inches
Note: Crumpled/folded gampi is proud by 1/8” from back mounted layer of Somerset
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SOLD
Stephanie Syjuco
Afterimages (Deflection of Vision), 2021
Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag; re-edited photograph of an ethnological display of Filipinos from the 1904 St. Louis World’s Fair.
Edition of 20 + 8 proofs
Image: 20 x 16 inches; Sheet: 24 x 18 inches
MORE about this artworkAfterimages (Deflection of Vision), 2021
Photogravure printed on gampi mounted on Somerset black 280 gram cotton rag; re-edited photograph of an ethnological display of Filipinos from the 1904 St. Louis World’s Fair. Printed by Paul Mullowney and Harry Schneider in an edition of 20 plus 8 proofs. Co-published by BOXBLUR, Catharine Clark Gallery, and Mullowney Printing, San Francisco, CA and Portland.
Image: 20 x 16 inches
Sheet: 24 x 18 inches
Note: Crumpled/folded gampi is proud by 1/8” from back mounted layer of Somerset
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Sherrill Roland
Red Times #090298, 2023
Oil-based ink with Kool-Aid pigment and spot varnish, relief printed on black Somerset 280-gram cotton rag paper, with embossing.
Edition of 9 + 4AP
Sheet: 22 x 29 1/4 inches
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Sherrill Roland
Red Times #090298, 2023
Oil-based ink with Kool-Aid pigment and spot varnish, relief printed on black Somerset 280-gram cotton rag paper, with embossing.
Edition of 9 + 4AP
Sheet: 22 x 29 1/4 inches
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Sherrill Roland
Red Times #090298, 2023
Oil-based ink with Kool-Aid pigment and spot varnish, relief printed on black Somerset 280-gram cotton rag paper, with embossing.
Edition of 9 + 4AP
Sheet: 22 x 29 1/4 inches
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Sherrill Roland
Red Times #090298, 2023
Oil-based ink with Kool-Aid pigment and spot varnish, relief printed on black Somerset 280-gram cotton rag paper, with embossing.
Edition of 9 + 4AP
Sheet: 22 x 29 1/4 inches
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Sherrill Roland
Red Times #090298, 2023
Oil-based ink with Kool-Aid pigment and spot varnish, relief printed on black Somerset 280-gram cotton rag paper, with embossing.
Edition of 9 + 4AP
Sheet: 22 x 29 1/4 inches
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Sherrill Roland
Red Times #090298, 2023
Oil-based ink with Kool-Aid pigment and spot varnish, relief printed on black Somerset 280-gram cotton rag paper, with embossing.
Edition of 9 + 4AP
Sheet: 22 x 29 1/4 inches
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Trina Michelle Robinson
Door of No Return, 2022
Photopolymer intaglio print on Hahnemühle copperplate.
Image: 8 x 11 1/4 inches
Sheet: 22 x 17 inches
Frame: 27 1/2 x 22 1/4 inches -
Trina Michelle Robinson
Welcoming St. Helena Island I, 2022
Photopolymer intaglio print on Hahnemühle copperplate.
Edition of 3 + proofs
Image: 14 x 10 inches
Sheet: 22 x 17 inches
Frame: 27 1/2 x 22 1/4 inches
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SOLD
Trina Michelle Robinson
Boone Trace, 2022
Photopolymer intaglio print on handmade raw cotton paper.
Edition of 4 + proofs
Image: 6 x 8 inches
Sheet: 8 1/2 x 11 inches
Frame: 13 x 15 1/4 inches -
Trina Michelle Robinson
Brea, 2021
Single-channel video with sound.
Edition of 5 + proofs
4:25 minutes
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Trina Michelle Robinson
Revival, 2022
Single-channel video with sound
Edition of 5 + proofs
6:47 minutes
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Trina Michelle Robinson
Encoded, 2022
Single-channel video with sound. Three-channel video available on request
Edition of 5 + proofs
5:32 minutes
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Trina Michelle Robinson
Elegy for Nancy, 2022
Single-channel video with sound.
Edition of 5 + proofs
4:09 minutes