-
Chris Doyle
Swell, 2017
Score by Jeremy Turner
Performed by Flux Quartet
Sound design by Owen O’Neill4k digital animation
Edition of 5 + 2AP
-
Chris Doyle
In the Labyrinth, 2016
* Please allow the video a moment to load
Single-channel digital animation
Edition of 5 + 2 AP
2 minutes, 10 seconds
-
Chris Doyle
Stills from In The Labyrinth, 2016
Single-channel, digital animation
Edition of 5 + 2AP
-
Chris Doyle
Thicket #1, 2016
Collaged watercolor on paper
25 ½ x 25 ½ inches unframed
29 x 29 inches framed
-
Chris Doyle
Thicket #2, 2016
Collaged watercolor on paper
25 ½ x 25 ½ inches unframed
29 x 29 inches framed
-
Chris Doyle
Thicket #4, 2016
Collaged watercolor on paper
25 ½ x 25 ½ inches unframed
29 x 29 inches framed
-
-
-
-
-
-
(Please allow a moment for video to load)
Chris DoyleThe Fluid, 2014
Three channel digital animation
-
Chris Doyle
The Hudson River #2, 2014
Melted ice and pigment on paper
14 x 14 inches unframed
17 x 17 inches framed
-
Chris Doyle
The Hudson River #3, 2014
Melted ice and pigment on paper
14 x 14 inches unframed
17 x 17 inches framed
-
Chris Doyle
The Hudson River #5, 2014
Melted ice and pigment on paper
14 x 14 inches unframed
17 x 17 inches framed
-
SOLD
Chris Doyle
Masque, 2012
Watercolor
46 x 68 inches
-
-
Chris Doyle
Refracture, 2012
Watercolor on paper
68 x 46 inches unframed
70 x 48 inches framed
-
Installation view of Chris Doyle's Idyllwild, 2012
Two-channel projected generative animation, Mac Mini, speakers
Music by Garth Stevenson
Music produced by Joe Arcidiacono
Thanks to Shahar Zaks and Nicholas RubinEdition of 3 + 2 AP; edition 1/3
Dimensions variable
-
-
Chris Doyle
Video still of Waste_Generation, 2011
Digital animation on Mac Mini
Edition of 5
Dimensions variable
-
(Please allow a moment for video to load)
Chris DoyleWaste_Generation, 2011
Single-channel digital animation
Edition of 5
-
Chris Doyle
History of the 20th Century, 2010
Duratrans on LED light box
Edition of 5 + 2 AP
11 ½ x 60 ¼ inches
-
Chris Doyle
History of the 20th Century, 2010
Digital pigment print
Edition of 20
9 ½ x 44 inches
-
Chris Doyle
Still from Apocalypse Management (telling about being one being living), 2009
Single-channel video: projected digital animation on Mac Mini
Edition of 5
MORE about this artworkCommissioned by MassMoCA for These Days: Elegies for Modern Times, curated by Denise Markonish.
"Buildings collapse. Bridges buckle. Steel, concrete, and brick twist and slide into piles of rubble. It is impossible to prepare for disaster on an epic scale, only for recovery. Apocalypse Management (telling about being one being living) is the first section of a planned series of five animations based on Hudson River painter Thomas Cole’s Course of Empire. The series grows out of my longtime interest in that cycle of paintings, the panoramic landscapes of Hans Memmling as well as Last Judgment altarpieces of the renaissance.
The projected landscape depicts the aftermath, a constant looped state of digging out. The particular cause of the devastation is unclear, but whether natural disaster, act of war, or environmental nightmare, the scenario of wreckage portends a state of emergency for which we are reminded to be ready. The figures in the animation are each lost in the moment when disaster ends and the processes of grieving and rebuilding begin." -- Chris Doyle
-
Chris Doyle
Apocalypse Management Panorama, 2009
Duratrans on LED light box
Edition of 5 + 2 AP
12 x 60 inches
-
Chris Doyle
Apocalypse Management Panorama III, 2010
Archival inkjet prints
Edition of 20 + 2AP
10 ¾ x 48 inches
-
(Please allow a moment for video to load)
Chris DoyleApocalypse Management (telling about being one being living), 2009
Single-channel digital animation
Edition of 5