CatharineClarkGallery

ARTISTS

  • Chester Arnold
  • Jen Bervin
  • Sandow Birk
  • Lenka Clayton
  • Arleene Correa Valencia
  • Timothy Cummings
  • Chris Doyle
  • Al Farrow
  • Ana Teresa Fernández
  • Ken Goldberg
  • Scott Greene
  • Julie Heffernan
  • Laurel Roth Hope
  • Andy Diaz Hope
  • Nina Katchadourian
  • LigoranoReese
  • Deborah Oropallo
  • Alison Saar
  • Stacey Steers
  • Stephanie Syjuco
  • Josephine Taylor
  • Masami Teraoka
  • Amy Trachtenberg
  • Katherine Vetne
  • Marie Watt
  • Wanxin Zhang
  • BOXBLUR
  • Collaborating Artists
  • Mullowney Printing
  • CCG Offsite & Art Fairs
  • EXHIBITIONS
  • NEWS
  • SHOP
  • ABOUT
  • CONTACT
  • FOLLOW
  • PRIVATE
  • instagram
  • artsy
  • twitter
  • facebook
  • INQUIRE

    Installation view of group exhibition Punch Card, 2013

    image description
  • INQUIRE

    Installation view of group exhibition Punch Card, 2013

    image description
  • INQUIRE

    Installation view of group exhibition Punch Card, 2013

    image description
  • INQUIRE

    Installation view of group exhibition Punch Card, 2013

    image description
  • INQUIRE

    Andy Diaz Hope and Laurel Roth

    Allegory of the Prisoner's Dilemma, 2012

    Jacquard tapestry

    Edition of 8 + 2 AP

    106 x 76 inches

    image description
  • INQUIRE

    Andy Diaz Hope and Laurel Roth

    Allegory of the Infinite Mortal, 2010

    Jacquard tapestry

    Edition of 8 + 2 AP

    106 x 76 inches

    image description
  • INQUIRE

    Andy Diaz Hope and Laurel Roth

    Allegory of the Monoceros, 2008

    Jacquard loomed tapestry

    Edition of 8 + 2 AP

    106 x 76 inches

    image description
  • INQUIRE

    Stephanie Syjuco

    Coverlet from Pattern Migration, 2011

    Wool, loomed by Peggy Hart

    Edition of 3

    96 x 72 inches

    MORE about this artwork

    Commissioned by the Columbus Museum of Art, Ohio, Pattern Migration responds to the museum’s extensive collection of 19th century American coverlet (blanket) weavings and entwines multiple production processes to address the friction between globalized factory production and artisanal craft.

     

    Syjuco, interested in the aesthetic conventions of modern capitalism and consumer goods, worked with three contemporary weavers in the U.S. and in Europe (Peggy Hart, Erika Hanson, and Travis Meinolf) to produce three new textiles that mimic the distinctive plaid pattern that typically adorns cheap, mass-produced plastic travel bags.

     

    Subsequently, a set of hand-sewn replica Chinese bags were made from Syjuco’s new woven coverlets, disrupting the divergent areas of high culture and commercial production and reflecting on the history of textile production and anonymous labor and their ever-shifting relationship with the object’s marketplace value. Commonly used around the world, these bags are hallmarks of the globalized spread of objects as well as migrant communities.

     

    Finally, working with a Chinese factory, Syjuco produced five kilometers worth of plastic woven fabric, this time embedded with an intricate starburst pattern that was originally developed by a 19th century American weaver. The quantity of the fabric represents the minimum order that could be placed, reflecting the massive scale of factory production today. Visitors to the exhibition were able to take yardage from this fabric and were encouraged to make new “products” with it, thus continuing the cycles of production.


    Together, the works in Syjuco’s Pattern Migration close the loop between handmade and mass-produced object, forming a strange hybrid of disparate production processes.

    image description
  • INQUIRE

    Stephanie Syjuco

    Pattern Migration: Handmade Mass Manufactured (Full Set), 2011

    Merino wool and fabric, sewn from coverlets woven by Peggy Hart

    36 x 36 inches

    MORE about this artwork

    Commissioned by the Columbus Museum of Art, Ohio, Pattern Migration responds to the museum’s extensive collection of 19th century American coverlet (blanket) weavings and entwines multiple production processes to address the friction between globalized factory production and artisanal craft.

     

    Syjuco, interested in the aesthetic conventions of modern capitalism and consumer goods, worked with three contemporary weavers in the U.S. and in Europe (Peggy Hart, Erika Hanson, and Travis Meinolf) to produce three new textiles that mimic the distinctive plaid pattern that typically adorns cheap, mass-produced plastic travel bags.

     

    Subsequently, a set of hand-sewn replica Chinese bags were made from Syjuco’s new woven coverlets, disrupting the divergent areas of high culture and commercial production and reflecting on the history of textile production and anonymous labor and their ever-shifting relationship with the object’s marketplace value. Commonly used around the world, these bags are hallmarks of the globalized spread of objects as well as migrant communities.

     

    Finally, working with a Chinese factory, Syjuco produced five kilometers worth of plastic woven fabric, this time embedded with an intricate starburst pattern that was originally developed by a 19th century American weaver. The quantity of the fabric represents the minimum order that could be placed, reflecting the massive scale of factory production today. Visitors to the exhibition were able to take yardage from this fabric and were encouraged to make new “products” with it, thus continuing the cycles of production.


    Together, the works in Syjuco’s Pattern Migration close the loop between handmade and mass-produced object, forming a strange hybrid of disparate production processes.

    image description
  • INQUIRE

    Ligorano/Reese

    50 Different Minds, 2010-2012

    Hand-woven fiber optic thread, custom electronics and software, plexiglass, glass, RGB LEDs, MacMini, router, internet

    Edition of 5

    50 x 50 inches

    image description
  • INQUIRE

    50 Different Minds, 2010-12

    Hand-woven fiber optic thread, custom electronics and software, plexiglass, glass, RGB LEDs, MacMini, router, internet

    Edition of 5 + AP

    50 x 50 inches

    ligorano-reese-50-different-minds-video
  • SOLD

    Nina Katchadourian

    Plate from Tabulae Sceleti et Musculorum Coporis Humani (Leiden, 1774) by Bernard Siegried Albinus (drawn by renowned artist Jan Wandelaar), 2004

    Postcard and thread

    5 ¾ x 4 1/8 inches unframed
    8 ¼ x 6 inches framed

    image description
  • INQUIRE

    Nina Katchadourian

    Bull Moose (from the Paranormal Postcard Series), 2002

    Postcard and thread

    4 x 5 3/4 inches unframed
    6 1/8 x 8 1/8 inches framed

    MORE about this artwork

    An ongoing project, at present consisting of over 200 postcards, where various elements in the image are connected by stitching through the card with red sewing thread. The cards are then grouped, and the groups are then connected via an elaborate network of dotted red lines made of graphic tape applied to the wall. A "world view" of extreme and almost paranoid interconnectedness emerges. As with many of my map works and chart pieces, the project seems to suggest some underlying coherent research or guiding principal, but the piece ultimately speaks more about taxonomy itself.
     
    Each time the project is exhibited, Katchadourian incorporates postcards from the city or town where it is on view so that people can recognize a local point of entry. This project began as a response to a long layover with a postcard purchase from a gift shop in the Olso airport in 1998.

    image description
  • SOLD

    Nina Katchadourian

    Giotto's St. Francis (from the Paranormal Postcard Series), 2004

    Postcard and thread

    5 7/8 x 4 1/8 inches unframed
    8 1/8 x 6 1/8 inches framed

    MORE about this artwork

    An ongoing project, at present consisting of over 200 postcards, where various elements in the image are connected by stitching through the card with red sewing thread. The cards are then grouped, and the groups are then connected via an elaborate network of dotted red lines made of graphic tape applied to the wall. A "world view" of extreme and almost paranoid interconnectedness emerges. As with many of my map works and chart pieces, the project seems to suggest some underlying coherent research or guiding principal, but the piece ultimately speaks more about taxonomy itself.

     

    Each time the project is exhibited, Katchadourian incorporates postcards from the city or town where it is on view so that people can recognize a local point of entry. This project began as a response to a long layover with a postcard purchase from a gift shop in the Olso airport in 1998.

    image description
  • INQUIRE

    Nina Katchadourian

    Goethe (from the Paranormal Postcard Series), 2004

    Postcard and thread

    4 3/8 x 6 3/8 inches unframed
    6 5/8 x 8 5/8 inches framed

    MORE about this artwork

    An ongoing project, at present consisting of over 200 postcards, where various elements in the image are connected by stitching through the card with red sewing thread. The cards are then grouped, and the groups are then connected via an elaborate network of dotted red lines made of graphic tape applied to the wall. A "world view" of extreme and almost paranoid interconnectedness emerges. As with many of my map works and chart pieces, the project seems to suggest some underlying coherent research or guiding principal, but the piece ultimately speaks more about taxonomy itself.

     

    Each time the project is exhibited, Katchadourian incorporates postcards from the city or town where it is on view so that people can recognize a local point of entry. This project began as a response to a long layover with a postcard purchase from a gift shop in the Olso airport in 1998.

    image description
  • INQUIRE

    Nina Katchadourian

    Guardian Angel (from the Paranormal Postcard Series), 2004

    Postcard and thread

    5 1/2 x 3 1/2 inches unframed
    8 1/8 x 6 1/8 inches framed

    MORE about this artwork

    An ongoing project, at present consisting of over 200 postcards, where various elements in the image are connected by stitching through the card with red sewing thread. The cards are then grouped, and the groups are then connected via an elaborate network of dotted red lines made of graphic tape applied to the wall. A "world view" of extreme and almost paranoid interconnectedness emerges. As with many of my map works and chart pieces, the project seems to suggest some underlying coherent research or guiding principal, but the piece ultimately speaks more about taxonomy itself.

     

    Each time the project is exhibited, Katchadourian incorporates postcards from the city or town where it is on view so that people can recognize a local point of entry. This project began as a response to a long layover with a postcard purchase from a gift shop in the Olso airport in 1998.

    image description
  • INQUIRE

    Nina Katchadourian

    Mictlantechtli (from the Paranormal Postcard Series), 2004

    Postcard and thread

    5 3/4 x 4 1/8 inches unframed
    8 1/8 x 6 1/8 inches framed

    MORE about this artwork

    An ongoing project, at present consisting of over 200 postcards, where various elements in the image are connected by stitching through the card with red sewing thread. The cards are then grouped, and the groups are then connected via an elaborate network of dotted red lines made of graphic tape applied to the wall. A "world view" of extreme and almost paranoid interconnectedness emerges. As with many of my map works and chart pieces, the project seems to suggest some underlying coherent research or guiding principal, but the piece ultimately speaks more about taxonomy itself.

     

    Each time the project is exhibited, Katchadourian incorporates postcards from the city or town where it is on view so that people can recognize a local point of entry. This project began as a response to a long layover with a postcard purchase from a gift shop in the Olso airport in 1998.

    image description
  • INQUIRE

    Devorah Sperber

    After Warhol 1, 2008

    Thread spools

    Edition of 5

    42 x 25 x 66 inches

    image description
  • INQUIRE

    Devorah Sperber

    Superman, 2010

    Thread spools

    Edition of 5

    45 x 47 x 60 inches

    image description
  • INQUIRE

    Devorah Sperber

    After The Mona Lisa 8, 2010

    Thread spools

    Edition of 5

    68 x 47 x 72 inches

    image description
  • INQUIRE

    Devorah Sperber

    After Picasso (Don Quixote), 2010

    Thread spools

    Edition of 5

    49 x 40 x 60 inches

    image description
  • SOLD

    Devorah Sperber

    Hendrix 4 Red, 2009

    4,096 chenille stems in rigid foam board

    16 x 16 x 3 in

    image description
  • INQUIRE

    Devorah Sperber

    After Warhol 3, 2008

    Chenille stems

    Edition of 5

    21 x 17 x 3 inches

    image description
prev next 1 / 1

SF

Group Exhibition: Punch Card

January 19 – February 23, 2013

  • Andy Diaz Hope
  • LigoranoReese
  • Stephanie Syjuco
  • Nina Katchadourian

January 19, 3-5PM

  • Exhibition Works
  • Exhibition Press Release (PDF)
  • 7x7 Review

SAN FRANCISCO

248 Utah Street San Francisco, CA 94103 415.399.1439 m. 415.519.1439
VISIT
  • Hours &
    Directions
  • Parking
CONTACT
  • Phone & Email
CONNECT
  • Subscribe
RESOURCES
  • Gallery Floorplans
  • Links
  • Event Rental
© Catharine Clark Gallery 2023 Website by J28 & MacFadden & Thorpe